{"id":6035,"date":"2025-01-20T19:03:00","date_gmt":"2025-01-20T18:03:00","guid":{"rendered":"https:\/\/atlangue.com\/comprendre-role-poetique-narratif-montage-alain-resnais\/"},"modified":"2025-01-21T19:03:00","modified_gmt":"2025-01-21T18:03:00","slug":"comprendre-role-poetique-narratif-montage-alain-resnais","status":"publish","type":"post","link":"https:\/\/atlangue.com\/fr\/comprendre-role-poetique-narratif-montage-alain-resnais\/","title":{"rendered":"Comprendre le r\u00f4le po\u00e9tique et narratif du montage chez Alain Resnais"},"content":{"rendered":"

Dans l’\u0153uvre cin\u00e9matographique d’Alain Resnais, le montage joue un r\u00f4le fondamental et transforme chaque film en une \u0153uvre po\u00e9tique unique. En s\u2019\u00e9loignant des codes traditionnels, Resnais utilise le rythme et l’agencement des s\u00e9quences<\/strong> pour explorer la m\u00e9moire collective<\/strong> et le rapport image-temps<\/strong>. Ce choix artistique insuffle un lyrisme visuel, renfor\u00e7ant ainsi la signification po\u00e9tique et narrative de ses cr\u00e9ations.<\/p>\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\tIndex\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
  1. L'influence du montage sur la structure narrative de Resnais<\/a>
  2. Techniques de montage po\u00e9tique dans l'\u0153uvre d'Alain Resnais<\/a>
  3. Analyse de la symbolique et de l'esth\u00e9tique du montage chez Resnais<\/a>
  4. Le montage comme outil de manipulation du temps et de l'espace<\/a>
  5. Exploration des \u00e9motions \u00e0 travers le montage dans les films de Resnais<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t

    L’influence du montage sur la structure narrative de Resnais<\/h2>\n\n

    Alain Resnais, figure embl\u00e9matique du cin\u00e9ma d’auteur<\/strong>, a red\u00e9fini la structure narrative<\/strong> gr\u00e2ce \u00e0 son utilisation innovante du montage cin\u00e9matographique<\/strong>. Contrairement aux r\u00e9cits conventionnels, o\u00f9 la lin\u00e9arit\u00e9 pr\u00e9domine, Resnais a souvent exp\u00e9riment\u00e9 avec une fragmentation narrative<\/strong> qui permet une immersion plus profonde dans les th\u00e8mes qu’il explore, comme dans ses films c\u00e9l\u00e8bres tels que Hiroshima mon amour<\/em> et L’ann\u00e9e derni\u00e8re \u00e0 Marienbad<\/em>.<\/p>\n\n

    Dans ces \u0153uvres, le montage devient un outil essentiel pour naviguer entre diff\u00e9rentes temporalit\u00e9s films<\/strong>. Par exemple, dans Nuit et brouillard<\/em>, Resnais juxtapose habilement des images d’archives avec des s\u00e9quences contemporaines, cr\u00e9ant ainsi une narrativit\u00e9 o\u00f9 le pass\u00e9 dialogue en permanence avec le pr\u00e9sent. Cette approche engendre une continuit\u00e9 et rupture<\/strong> simultan\u00e9e, o\u00f9 les souvenirs s’entrelacent logiquement avec la perception actuelle, tout en accentuant la force \u00e9motionnelle du r\u00e9cit.<\/p>\n\n

    Le rythme filmique<\/strong> adopt\u00e9 par Resnais varie \u00e9galement pour soutenir sa structure narrative complexe. Plut\u00f4t que de suivre un d\u00e9coupage traditionnel, il accorde une importance \u00e0 la dur\u00e9e et \u00e0 l’encha\u00eenement des s\u00e9quences, permettant ainsi au spectateur de s’impr\u00e9gner pleinement des nuances et des \u00e9motions distill\u00e9es par ses personnages et ses intrigues. Cette m\u00e9thode, empreinte d’une grande sensibilit\u00e9 po\u00e9tique et intellectuelle, fait du montage un pilier central dans la compr\u00e9hension et l’appr\u00e9ciation de ses films.<\/p>

    Techniques de montage po\u00e9tique dans l’\u0153uvre d’Alain Resnais<\/h2>\n\n

    Le cin\u00e9ma d’Alain Resnais se distingue par l’utilisation de techniques de montage cin\u00e9matographique<\/strong> qui transcendent les normes traditionnelles pour atteindre une signification po\u00e9tique<\/strong> in\u00e9dite. Sa d\u00e9marche innovante trouve son expression dans des films comme Hiroshima mon amour<\/em>, o\u00f9 les images se succ\u00e8dent non pas en suivant un ordre chronologique, mais en r\u00e9pondant \u00e0 une logique \u00e9motionnelle et intellectuelle. Cela permet \u00e0 Resnais de cr\u00e9er des connexions surprenantes et de g\u00e9n\u00e9rer un impact \u00e9motionnel fort chez le spectateur.<\/p>\n\n

    Parmi les techniques de montage<\/strong> employ\u00e9es par Resnais figure la juxtaposition des images<\/strong>, qui oblige l’audience \u00e0 interpr\u00e9ter activement les liens entre les s\u00e9quences. Dans Nuit et brouillard<\/em>, cette strat\u00e9gie renforce la puissance narrative des images documentaires. Resnais a \u00e9galement recours \u00e0 des ruptures temporelles<\/strong>, soulignant une perspective o\u00f9 le temps n’est qu’une dimension mall\u00e9able, enrichissant ainsi la conversation entre pass\u00e9 et pr\u00e9sent.<\/p>\n\n

    Enfin, l’une des techniques les plus audacieuses de Resnais est l’incorporation de l’innovation technique<\/strong>, comme l’int\u00e9gration de voix off introspectives qui se superposent aux images, brouillant la fronti\u00e8re entre la r\u00e9alit\u00e9 et le souvenir. Ce choix de montage ajoute une couche suppl\u00e9mentaire de profondeur po\u00e9tique, transformant le visionnage en une exp\u00e9rience sensorielle et intellectuelle unique, qui invite \u00e0 la r\u00e9flexion au-del\u00e0 du film.<\/p>\n

    \n

    \"Atlangue\u00a0\u00a0Vous pouvez \u00e9galement \u00eatre int\u00e9ress\u00e9 par la consultation :<\/p><\/div>\n\n\n\n<\/div>\n

    Analyse de la symbolique et de l’esth\u00e9tique du montage chez Resnais<\/h2>\n\n

    Alain Resnais, pilier de la nouvelle vague<\/strong>, a \u00e9tabli sa renomm\u00e9e gr\u00e2ce \u00e0 une utilisation magistrale du symbolisme cin\u00e9matographique<\/strong>. Dans son montage, chaque image, chaque coupe, est impr\u00e9gn\u00e9e de signification po\u00e9tique<\/strong>, enrichissant ainsi l’exp\u00e9rience visuelle et \u00e9motionnelle du spectateur. Un exemple marquant en est son film L’ann\u00e9e derni\u00e8re \u00e0 Marienbad<\/em>, o\u00f9 le jeu de miroirs et les formes g\u00e9om\u00e9triques cr\u00e9ent un effet presque hypnotique, accentuant le caract\u00e8re myst\u00e9rieux et \u00e9nigmatique du r\u00e9cit.<\/p>\n\n

    Resnais joue habilement avec l’esth\u00e9tique du montage<\/strong>, parfois en utilisant des contrastes visuels subtils mais puissants pour renforcer les th\u00e8mes centraux de ses \u0153uvres. Dans Hiroshima mon amour<\/em>, les images de destruction nucl\u00e9aire se fondent avec celles de l’amour humain, g\u00e9n\u00e9rant une tension visuelle qui refl\u00e8te sa complexit\u00e9 narrative<\/strong>. Cette juxtaposition pousse le public \u00e0 contempler la fragilit\u00e9 et la r\u00e9silience de l’humanit\u00e9.<\/p>\n\n

    Le montage intellectuel<\/strong> est une autre technique employ\u00e9e par Resnais qui transforme la simple narration en une exp\u00e9rience introspective. En manipulant habilement la perspective temporelle<\/strong> par des retours en arri\u00e8re incertains et des sauts dans le futur, le r\u00e9alisateur invite les spectateurs \u00e0 une r\u00e9flexion profonde sur le passage du temps et les souvenirs qui fa\u00e7onnent notre identit\u00e9. Chaque choix esth\u00e9tique devient ainsi un outil puissant pour \u00e9voquer une vaste gamme d’\u00e9motions et d\u2019id\u00e9es, consolidant la place de Resnais comme un ma\u00eetre de l’art cin\u00e9matographique.<\/p>

    Le montage comme outil de manipulation du temps et de l’espace<\/h2>\n\n

    Alain Resnais, avec son approche novatrice du montage cin\u00e9matographique<\/strong>, r\u00e9volutionne la mani\u00e8re dont nous percevons le temps et l’espace dans ses films. Au lieu de suivre une progression temporelle classique, ses \u0153uvres comme L’ann\u00e9e derni\u00e8re \u00e0 Marienbad<\/em> et Hiroshima mon amour<\/em> jouent avec le concept de temporalit\u00e9s films<\/strong> multiples, cr\u00e9ant une mosa\u00efque o\u00f9 pr\u00e9sent, pass\u00e9 et futur se rencontrent.<\/p>\n\n

    Par le biais du montage, Resnais brouille les fronti\u00e8res spatiales, utilisant des ellipses et des changements d’angle subtils qui transportent le spectateur d’un lieu \u00e0 un autre, souvent sans transition explicite. Cette technique engendre une sensation presque onirique, o\u00f9 le spectateur doit activement reconstituer le puzzle narratif. C’est une v\u00e9ritable manipulation narrative<\/strong> o\u00f9 le spectateur devient un d\u00e9tective engag\u00e9 dans le d\u00e9cryptage des indices visuels diss\u00e9min\u00e9s dans chaque sc\u00e8ne.<\/p>\n\n

    Le montage sert \u00e9galement \u00e0 souligner l’innovation technique<\/strong> des films de Resnais, permettant de jouer sur les attentes du public quant \u00e0 la continuit\u00e9 logique de l’intrigue. En fragmentant les s\u00e9quences et en juxtaposant des images apparemment disparates, il oblige l’audience \u00e0 remettre en question la nature m\u00eame de la r\u00e9alit\u00e9 qu’elle observe. Ainsi, le montage devient un outil po\u00e9tique puissant qui transcende le simple ordonnancement des sc\u00e8nes, transformant chaque film en une exp\u00e9rience unique pour l\u2019esprit et les sens.<\/p>

    Exploration des \u00e9motions \u00e0 travers le montage dans les films de Resnais<\/h2>\n\n

    Dans les films d’Alain Resnais, le montage cin\u00e9matographique<\/strong> est bien plus qu’un simple outil narratif\u2009; c’est un moyen puissant d’explorer et d’intensifier les \u00e9motions<\/strong> ressenties par le spectateur. Resnais utilise le montage pour cr\u00e9er des dynamiques \u00e9motionnelles complexes, jouant sur la juxtaposition des sc\u00e8nes pour \u00e9voquer et amplifier des sentiments profonds et souvent contradictoires.<\/p>\n\n

    Un exemple marquant se trouve dans Hiroshima mon amour<\/em>, o\u00f9 les images d\u00e9licates d’amour s’entrelacent avec celles de destruction. Ce choix de montage inspire une r\u00e9flexion sur le traumatisme et la r\u00e9conciliation, for\u00e7ant le public \u00e0 naviguer entre l’intime et le collectif. Les \u00e9motions \u00e9mergent ainsi non seulement des personnages, mais des temporalit\u00e9s films<\/strong> elles-m\u00eames, cr\u00e9ant un tissu \u00e9motionnel riche et nuanc\u00e9.<\/p>\n\n

    Enfin, l’approche unique de Resnais se manifeste par une esth\u00e9tique du montage<\/strong> qui met en avant le lyrisme visuel<\/strong>. L’emploi de s\u00e9quences qui se r\u00e9pondent comme les strophes d’un po\u00e8me visuel permet de capturer une pluralit\u00e9 de sentiments. Le spectateur est ainsi engag\u00e9 dans un parcours sensoriel et intellectuel, o\u00f9 chaque coupure, ralentissement ou r\u00e9p\u00e9tition participe \u00e0 une exp\u00e9rience \u00e9motionnelle profond\u00e9ment immersive et personnelle.<\/p>","protected":false},"excerpt":{"rendered":"

    Comment le montage po\u00e9tique d’Alain Resnais fa\u00e7onne-t-il la narration unique de ses films ? Plonge dans ses techniques cin\u00e9matographiques innovantes.<\/p>\n","protected":false},"author":3,"featured_media":6036,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[122,117],"tags":[],"class_list":["post-6035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-culture-francaise"],"spectra_custom_meta":{"_wp_page_template":["default"],"rank_math_internal_links_processed":["1"],"rank_math_title":["Comprendre le r\u00f4le po\u00e9tique et narratif du montage chez Alain Resnais"],"rank_math_description":["Comment le montage po\u00e9tique d'Alain Resnais fa\u00e7onne-t-il la narration unique de ses films ? Plonge dans ses techniques cin\u00e9matographiques innovantes."],"rank_math_focus_keyword":[""],"_thumbnail_id":["6036"],"_last_translation_edit_mode":["translation-editor"],"_wpml_word_count":["1436"],"rank_math_primary_category":["63"],"_uagb_toc_options":["a:2:{s:17:\"_uagb_toc_version\";s:10:\"1778168533\";s:18:\"_uagb_toc_headings\";a:5:{i:0;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:59:\"linfluence-du-montage-sur-la-structure-narrative-de-resnais\";s:7:\"content\";s:60:\"L'influence du montage sur la structure narrative de Resnais\";s:5:\"depth\";i:2;}i:1;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:59:\"techniques-de-montage-po\u00e9tique-dans-l\u0153uvre-dalain-resnais\";s:7:\"content\";s:61:\"Techniques de montage po\u00e9tique dans l'\u0153uvre d'Alain Resnais\";s:5:\"depth\";i:2;}i:2;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:67:\"analyse-de-la-symbolique-et-de-lesth\u00e9tique-du-montage-chez-resnais\";s:7:\"content\";s:68:\"Analyse de la symbolique et de l'esth\u00e9tique du montage chez Resnais\";s:5:\"depth\";i:2;}i:3;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:61:\"le-montage-comme-outil-de-manipulation-du-temps-et-de-lespace\";s:7:\"content\";s:62:\"Le montage comme outil de manipulation du temps et de l'espace\";s:5:\"depth\";i:2;}i:4;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:73:\"exploration-des-\u00e9motions-\u00e0-travers-le-montage-dans-les-films-de-resnais\";s:7:\"content\";s:73:\"Exploration des \u00e9motions \u00e0 travers le montage dans les films de Resnais\";s:5:\"depth\";i:2;}}}"],"_uag_css_file_name":["uag-css-6035.css"],"_uag_js_file_name":["uag-js-6035.js"],"_uag_page_assets":["a:9:{s:3:\"css\";s:18422:\"\ufeff.wp-block-uagb-table-of-contents .uagb-toc__wrap{display:inline-block;max-width:-moz-available;max-width:-webkit-fill-available;max-width:fill-available}.wp-block-uagb-table-of-contents li.uagb-toc__list{padding-top:10px}.wp-block-uagb-table-of-contents ul.uagb-toc__list,.wp-block-uagb-table-of-contents ol.uagb-toc__list{list-style-position:inside;padding-left:0;margin-bottom:0;margin-left:2.2em}.wp-block-uagb-table-of-contents ul.uagb-toc__list li,.wp-block-uagb-table-of-contents ol.uagb-toc__list li{margin:0}.wp-block-uagb-table-of-contents ul li:empty{display:none}.wp-block-uagb-table-of-contents .uagb-toc__title-wrap{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__title{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__is-collapsible.uagb-toc__title-wrap{cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap svg{width:20px;height:20px}.wp-block-uagb-table-of-contents svg{width:20px;height:20px;display:inline-block;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap{display:flex;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents.uagb-toc__collapse .uagb-toc__list-wrap{display:none}.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:2px}ol.uagb-toc__list li.uagb-toc__list ul,ol.uagb-toc__list ul.uagb-toc__list ul{list-style-type:circle}ol.uagb-toc__list>ul,ol.uagb-toc__list>li{list-style-type:disc}.uagb-toc__scroll-top{position:fixed;right:50px;bottom:50px;display:none;padding:10px;background:#ccd0d4;cursor:pointer;font-size:1rem;line-height:1.8571428571}.uagb-toc__scroll-top svg{width:1.6em;height:.6em;margin-left:0;transform:translate(0, -20%) rotate(180deg);fill:currentColor}.uagb-toc__scroll-top.uagb-toc__show-scroll{display:inline-table}body[class*=astra] .uagb-toc__list{line-height:normal}.uagb-toc__list{margin-top:0}.wp-block-uagb-table-of-contents ol.uagb-toc__list li.uagb-toc__list.uagb-toc__list--expandable{list-style-type:none !important}ul.uagb-toc__list--child-of-closed-list{padding-top:0 !important}ul.uagb-toc__list--hidden-child{display:none !important}.list-open::before,.list-collapsed::before{content:\"\u25bc\"\/\"\";transition:transform .3s ease;transform:scale(0.7) translateX(-50%);display:inline-block}.list-collapsed::before{transform:scale(0.7) rotate(-90deg) translate(-84%, 6%)}span.list-open,span.list-collapsed{cursor:pointer;outline:none !important}.uagb-toc__list.transition{transition:max-height 300ms ease-in-out,padding-top 300ms ease-in-out}.uagb-toc__loader{border:2px solid #f3f3f3;border-top:2px solid #0073aa;border-radius:50%;width:20px;height:20px;animation:spin 1.1s linear infinite;display:block;position:absolute;margin-top:5px}.uagb-toc__list-hidden{opacity:0}@keyframes spin{0%{transform:rotate(0deg)}100%{transform:rotate(360deg)}}[dir=rtl] .list-open::before{transform:scale(0.7) translateX(50%)}[dir=rtl] .list-collapsed::before{transform:scale(0.7) rotate(90deg) translate(84%, 6%)}[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:0;padding-right:2px;margin-left:0;margin-right:2.2em}.wp-block-uagb-container{display:flex;position:relative;box-sizing:border-box;transition-property:box-shadow;transition-duration:.2s;transition-timing-function:ease}.wp-block-uagb-container .spectra-container-link-overlay{bottom:0;left:0;position:absolute;right:0;top:0;z-index:10}.wp-block-uagb-container.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:flex;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}.wp-block-uagb-container .wp-block-uagb-blockquote,.wp-block-uagb-container .wp-block-spectra-pro-login,.wp-block-uagb-container .wp-block-spectra-pro-register{margin:unset}.wp-block-uagb-container .uagb-container__video-wrap{height:100%;width:100%;top:0;left:0;position:absolute;overflow:hidden;-webkit-transition:opacity 1s;-o-transition:opacity 1s;transition:opacity 1s}.wp-block-uagb-container .uagb-container__video-wrap video{max-width:100%;width:100%;height:100%;margin:0;line-height:1;border:none;display:inline-block;vertical-align:baseline;-o-object-fit:cover;object-fit:cover;background-size:cover}.wp-block-uagb-container.uagb-layout-grid{display:grid;width:100%}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap{display:inherit;width:inherit}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.alignwide.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:inherit;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-info-box),body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap,body .wp-block-uagb-container>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-container-link-overlay):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-lottie):not(.uagb-faq__outer-wrap){min-width:unset !important;width:100%;position:relative}body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container ol,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap ol{max-width:-webkit-fill-available;margin-block-start:0;margin-block-end:0;margin-left:20px}.ast-plain-container .editor-styles-wrapper .block-editor-block-list__layout.is-root-container .uagb-is-root-container.wp-block-uagb-container.alignwide{margin-left:auto;margin-right:auto}.uagb-container__shape{overflow:hidden;position:absolute;left:0;width:100%;line-height:0;direction:ltr}.uagb-container__shape-top{top:-3px}.uagb-container__shape-bottom{bottom:-3px}.uagb-container__shape.uagb-container__invert.uagb-container__shape-bottom,.uagb-container__shape.uagb-container__invert.uagb-container__shape-top{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg)}.uagb-container__shape.uagb-container__shape-flip svg{transform:translateX(-50%) rotateY(180deg)}.uagb-container__shape svg{display:block;width:-webkit-calc(100% + 1.3px);width:calc(100% + 1.3px);position:relative;left:50%;-webkit-transform:translateX(-50%);-ms-transform:translateX(-50%);transform:translateX(-50%)}.uagb-container__shape .uagb-container__shape-fill{-webkit-transform-origin:center;-ms-transform-origin:center;transform-origin:center;-webkit-transform:rotateY(0deg);transform:rotateY(0deg)}.uagb-container__shape.uagb-container__shape-above-content{z-index:9;pointer-events:none}.nv-single-page-wrap .nv-content-wrap.entry-content .wp-block-uagb-container.alignfull{margin-left:calc(50% - 50vw);margin-right:calc(50% - 50vw)}@media only screen and (max-width: 767px){.wp-block-uagb-container .wp-block-uagb-advanced-heading{width:-webkit-fill-available}}.wp-block-uagb-image--align-none{justify-content:center}.wp-block-uagb-advanced-heading h1,.wp-block-uagb-advanced-heading h2,.wp-block-uagb-advanced-heading h3,.wp-block-uagb-advanced-heading h4,.wp-block-uagb-advanced-heading h5,.wp-block-uagb-advanced-heading h6,.wp-block-uagb-advanced-heading p,.wp-block-uagb-advanced-heading div{word-break:break-word}.wp-block-uagb-advanced-heading .uagb-heading-text{margin:0}.wp-block-uagb-advanced-heading .uagb-desc-text{margin:0}.wp-block-uagb-advanced-heading .uagb-separator{font-size:0;border-top-style:solid;display:inline-block;margin:0 0 10px 0}.wp-block-uagb-advanced-heading .uagb-highlight{color:#f78a0c;border:0;transition:all .3s ease}.uag-highlight-toolbar{border-left:0;border-top:0;border-bottom:0;border-radius:0;border-right-color:#1e1e1e}.uag-highlight-toolbar .components-button{border-radius:0;outline:none}.uag-highlight-toolbar .components-button.is-primary{color:#fff}.uagb-block-592a180d.wp-block-uagb-table-of-contents{text-align: center;}.uagb-block-592a180d .uagb-toc__list-wrap li a{color: var(u002du002dast-global-color-1);}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title-wrap{justify-content: left;}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title{color: var(u002du002dast-global-color-0);justify-content: space-between;cursor: pointer;}.uagb-block-592a180d .uagb-toc__wrap{border-top-width: 1px;border-left-width: 1px;border-right-width: 1px;border-bottom-width: 1px;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: #333;border-style: solid;padding-left: 30px;padding-right: 30px;padding-top: 30px;padding-bottom: 30px;background: rgba(237,237,237,0.65);width: 100%;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__list .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__title{font-family: \"Lato\";font-weight: 600;font-size: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-family: \"Lato\";text-decoration: none;}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-top svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-top .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-bottom svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-bottom .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__video-wrap video{opacity: 1;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{box-shadow: 0px 4px 12px 0px rgba(0,0,0,0.16) ;padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;margin-left: 0px !important;margin-right: 0px !important;overflow: visible;order: initial;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: inherit;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-direction: column;align-items: center;justify-content: center;flex-wrap: nowrap;row-gap: 20px;column-gap: 20px;max-width: 100% !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {margin-bottom: 0%;margin-left: 2%;padding-top: 2px;padding-right: 2px;padding-bottom: 2px;padding-left: 0px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09 .uagb-heading-text{font-family: \"Lato\";font-weight: 700;font-size: 21px;}@media only screen and (max-width: 976px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__title{font-size: 22px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 15px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3px;padding-bottom: 2px;padding-left: 2px;padding-right: 2px;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;max-width: !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {padding-top: 2%;padding-right: 2%;padding-bottom: 2%;padding-left: 0%;}}@media only screen and (max-width: 767px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 0px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-wrap: wrap;max-width: 100% !important;}}.uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media(max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media(max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-family: \"Lato\";font-size: 25px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-family: \"Lato\";font-size: 21px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}\";s:2:\"js\";s:385:\"document.addEventListener(\"DOMContentLoaded\", function(){ window.addEventListener( 'load', function(){\n\tUAGBTableOfContents._run( {\"mappingHeaders\":[false,true,true,true,true,true],\"scrollToTop\":false,\"makeCollapsible\":true,\"enableCollapsableList\":false,\"initialCollapse\":true,\"markerView\":\"decimal\",\"isFrontend\":true,\"initiallyCollapseList\":false}, '.uagb-block-592a180d' );\n} );\n });\";s:18:\"current_block_list\";a:11:{i:0;s:22:\"uagb\/table-of-contents\";i:1;s:14:\"uagb\/container\";i:2;s:21:\"uagb\/advanced-heading\";i:3;s:14:\"core\/shortcode\";i:4;s:11:\"core\/search\";i:5;s:10:\"core\/group\";i:6;s:17:\"core\/latest-posts\";i:8;s:12:\"core\/heading\";i:9;s:20:\"core\/latest-comments\";i:11;s:13:\"core\/archives\";i:12;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:1;s:11:\"uag_version\";s:10:\"1778168533\";s:6:\"gfonts\";a:1:{s:4:\"Lato\";a:2:{s:10:\"fontfamily\";s:4:\"Lato\";s:12:\"fontvariants\";a:2:{i:0;s:3:\"600\";i:1;s:3:\"700\";}}}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica.webp",1080,617,false],"thumbnail":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica-150x150.webp",150,150,true],"medium":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica-300x171.webp",300,171,true],"medium_large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica-768x439.webp",768,439,true],"large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica-1024x585.webp",1024,585,true],"1536x1536":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica.webp",1080,617,false],"2048x2048":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/papel-montaje-obra-alain-resnais-significacion-poetica.webp",1080,617,false]},"uagb_author_info":{"display_name":"Mica\u00ebl Girondin","author_link":"https:\/\/atlangue.com\/fr\/aut\/micael-girondin\/"},"uagb_comment_info":0,"uagb_excerpt":"Comment le montage po\u00e9tique d'Alain Resnais fa\u00e7onne-t-il la narration unique de ses films ? Plonge dans ses techniques cin\u00e9matographiques innovantes.","_links":{"self":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/6035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/comments?post=6035"}],"version-history":[{"count":0,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/6035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media\/6036"}],"wp:attachment":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media?parent=6035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/categories?post=6035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/tags?post=6035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}