{"id":5456,"date":"2025-01-14T22:51:00","date_gmt":"2025-01-14T21:51:00","guid":{"rendered":"https:\/\/atlangue.com\/production-cinematographique-occupation-censure-propagande-creativite\/"},"modified":"2025-01-15T22:51:00","modified_gmt":"2025-01-15T21:51:00","slug":"production-cinematographique-occupation-censure-propagande-creativite","status":"publish","type":"post","link":"https:\/\/atlangue.com\/fr\/production-cinematographique-occupation-censure-propagande-creativite\/","title":{"rendered":"La production cin\u00e9matographique sous l’Occupation : censure, propagande et cr\u00e9ativit\u00e9 artistique"},"content":{"rendered":"

Au c\u0153ur de la France occup\u00e9e, la production cin\u00e9matographique<\/strong> devient un instrument de contr\u00f4le et de manipulation, influenc\u00e9e par la censure stricte et la propagande<\/strong> nazies. Les studios naviguent dans une r\u00e9glementation rigide, o\u00f9 l’influence allemande<\/strong> et les messages propagandistes fa\u00e7onnent les contenus id\u00e9ologiques. Malgr\u00e9 les limitations cr\u00e9atives<\/strong>, des r\u00e9alisateurs c\u00e9l\u00e8bres parviennent \u00e0 produire des \u0153uvres marquantes, t\u00e9moignant d’une cr\u00e9ativit\u00e9 r\u00e9siliente sous contrainte.<\/p>\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\tIndex\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
  1. L'influence de la censure sur la cr\u00e9ativit\u00e9 cin\u00e9matographique<\/a>
  2. Les films de propagande : outils de manipulation id\u00e9ologique<\/a>
  3. Le r\u00f4le des studios et des r\u00e9alisateurs sous l'Occupation<\/a>
  4. Adaptations et limitations : \u0153uvres marquantes de l'\u00e9poque<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t

    L’influence de la censure sur la cr\u00e9ativit\u00e9 cin\u00e9matographique<\/h2>\n

    Sous l’Occupation allemande, la censure<\/strong> stricte impos\u00e9e \u00e0 la production cin\u00e9matographique en France a profond\u00e9ment impact\u00e9 la cr\u00e9ativit\u00e9 des r\u00e9alisateurs et sc\u00e9naristes. Ce contexte particulier a pouss\u00e9 les artistes \u00e0 redoubler d’ing\u00e9niosit\u00e9 pour contourner les barri\u00e8res dress\u00e9es par le contr\u00f4le des m\u00e9dias<\/strong>. En effet, ils ont d\u00fb jongler avec des lois contraignantes et une r\u00e9glementation stricte<\/strong> qui limitaient le contenu de leurs \u0153uvres.<\/p>\n\n

    Les r\u00e9alisateurs c\u00e9l\u00e9braient subtilit\u00e9 et symbolisme pour communiquer des messages cach\u00e9s, d\u00e9fiant ainsi les autorit\u00e9s sans attirer l’attention. Des films comme \u00ab Les Enfants du Paradis \u00bb deviennent des \u0153uvres marquantes o\u00f9 la capacit\u00e9 \u00e0 \u00ab lire entre les lignes \u00bb est essentielle pour appr\u00e9hender la profondeur du message. Cette p\u00e9riode a incit\u00e9 certains artistes \u00e0 s’aligner autour d’une r\u00e9sistance symbolique, en v\u00e9hiculant des valeurs de non-conformit\u00e9 \u00e0 travers des histoires apparemment anodines mais riches en significations.<\/p>\n\n

    Paradoxalement, la censure a engendr\u00e9 une limitation cr\u00e9ative<\/strong> qui a stimul\u00e9 une forme unique de cr\u00e9ativit\u00e9, o\u00f9 la contrainte devient source d’innovation. Elle a produit une g\u00e9n\u00e9ration de cin\u00e9astes capables de manier la m\u00e9taphore avec brio, transformant ainsi l’adversit\u00e9 en un moteur de leur art, et contribuant \u00e0 fa\u00e7onner l’histoire du cin\u00e9ma fran\u00e7ais<\/strong> sous l’Occupation.<\/strong><\/p>

    Les films de propagande : outils de manipulation id\u00e9ologique<\/h2>\n

    Les films de propagande produits sous l’Occupation \u00e9taient bien plus que de simples divertissements ; ils servaient des objectifs politiques clairs, guid\u00e9s par le besoin de manipuler l’opinion publique. En contr\u00f4lant minutieusement le contenu id\u00e9ologique<\/strong> de ces films, les autorit\u00e9s cherchaient \u00e0 diffuser des messages favorables au r\u00e9gime de Vichy<\/strong> et \u00e0 l’occupation, tout en dissuadant toute forme de r\u00e9sistance cin\u00e9matographique<\/strong>.<\/p>\n\n

    Ces \u0153uvres s’attachaient \u00e0 glorifier l’influence allemande<\/strong> en pr\u00e9sentant une image positive de l’occupant, tout en minimisant les souffrances caus\u00e9es par la guerre. Un exemple marquant est l’utilisation de documentaires et de longs m\u00e9trages qui mettaient en avant les pr\u00e9tendus b\u00e9n\u00e9fices de la collaboration, en masquant les v\u00e9rit\u00e9s plus sombres de l’\u00e9poque. M\u00eame les films de fiction \u00e9taient astucieusement con\u00e7us pour exalter les valeurs pr\u00f4n\u00e9es par les autorit\u00e9s, usant de la manipulation des \u00e9motions<\/strong> pour mieux asseoir leur discours.<\/p>\n\n

    Les films de propagande nazi<\/strong>, souvent grandioses dans leur mise en sc\u00e8ne, utilisaient des techniques cin\u00e9matographiques avanc\u00e9es pour toucher un public large, contribuant ainsi \u00e0 instaurer une \u00ab v\u00e9rit\u00e9 \u00bb officielle hautement biais\u00e9e. \u00c0 travers la distribution et la diffusion de ces films, l’industrie du film a jou\u00e9 un r\u00f4le crucial dans l’orchestration de la propagande, renfor\u00e7ant l’ambiance de guerre qui marquait cette p\u00e9riode sombre de l’histoire du cin\u00e9ma.<\/p>\n

    \n

    \"Atlangue\u00a0\u00a0Vous pouvez \u00e9galement \u00eatre int\u00e9ress\u00e9 par la consultation :<\/p><\/div>\n\n\n\n<\/div>\n

    Le r\u00f4le des studios et des r\u00e9alisateurs sous l’Occupation<\/h2>\n

    Durant l’Occupation, les studios cin\u00e9matographiques<\/strong> fran\u00e7ais ont jou\u00e9 un r\u00f4le crucial dans le paysage culturel, souvent pris entre les exigences de la collaboration<\/strong> et le d\u00e9sir de pr\u00e9server une identit\u00e9 artistique. Les studios de la r\u00e9gion parisienne, comme celui de Saint-Maurice, restaient actifs, mais ils devaient op\u00e9rer sous une surveillance \u00e9troite et des pressions politiques exacerb\u00e9es.<\/p>\n\n

    Les r\u00e9alisateurs, quant \u00e0 eux, se trouvaient dans une position d\u00e9licate. Tout en cherchant \u00e0 pr\u00e9server leurs carri\u00e8res et \u00e0 continuer \u00e0 cr\u00e9er, ils \u00e9taient contraints de composer avec des attentes souvent contraires. Certains, comme Marcel Carn\u00e9 et Henri-Georges Clouzot, faisaient preuve d’un talent remarquable pour naviguer dans ces circonstances, contribuant \u00e0 des films qui seraient plus tard reconnus comme des chefs-d’\u0153uvre de l\u2019histoire du cin\u00e9ma fran\u00e7ais<\/strong> malgr\u00e9 la forte influence allemande<\/strong>.<\/p>\n\n

    Au-del\u00e0 de la production, l’industrie du film<\/strong> cherchait \u00e0 maintenir une infrastructure solide malgr\u00e9 les restrictions de ressources. La production en studio restait vitale, permettant de contourner certaines limitations impos\u00e9es aux tournages ext\u00e9rieurs par des lois de censure<\/strong> et autres contraintes. Ce contexte difficile n’a pas \u00e9teint la cr\u00e9ativit\u00e9, mais a encourag\u00e9 des innovations sur le plan technique et th\u00e9matique, qui ont durablement marqu\u00e9 le cin\u00e9ma fran\u00e7ais.<\/p>

    Adaptations et limitations : \u0153uvres marquantes de l’\u00e9poque<\/h2>\n

    Dans un contexte de restriction artistique<\/strong>, la p\u00e9riode de l’Occupation a vu \u00e9merger des \u0153uvres cin\u00e9matographiques remarquables qui t\u00e9moignent d’une grande capacit\u00e9 d’adaptation face aux contraintes. Les adaptations litt\u00e9raires sont devenues une strat\u00e9gie importante pour contourner les limitations cr\u00e9atives<\/strong>, offrant aux r\u00e9alisateurs une certaine libert\u00e9 pour explorer des th\u00e8mes universels et intemporels, tout en respectant les lois de censure<\/strong>.<\/p>\n\n

    Un exemple embl\u00e9matique est le film \u00ab Les Visiteurs du Soir \u00bb de Marcel Carn\u00e9, dont le sc\u00e9nario s’inspire des contes m\u00e9di\u00e9vaux. \u00c0 travers une histoire d’amour et de myst\u00e8res, le film parvient \u00e0 \u00e9chapper \u00e0 l’\u0153il vigilant des censeurs tout en d\u00e9livrant un message subtil de r\u00e9sistance cin\u00e9matographique<\/strong>. Cette capacit\u00e9 \u00e0 d\u00e9tourner les restrictions a \u00e9t\u00e9 une marque de fabrique des r\u00e9alisateurs c\u00e9l\u00e8bres de l’\u00e9poque, qui ont su adapter leurs r\u00e9cits pour refl\u00e9ter les aspirations et les espoirs d’une France sous le joug de l’Occupation.<\/p>\n\n

    Malgr\u00e9 une culture sous contr\u00f4le<\/strong>, certains films de l’\u00e9poque ont r\u00e9ussi \u00e0 transcender leurs conditions de cr\u00e9ation, devenant des t\u00e9moins de l’ing\u00e9niosit\u00e9 et de la pers\u00e9v\u00e9rance des cin\u00e9astes. Ces \u0153uvres ont laiss\u00e9 un impact durable sur l’industrie du film, illustrant comment les d\u00e9fis peuvent se transformer en opportunit\u00e9s pour innover et exprimer une v\u00e9rit\u00e9 artistique. La gestion des enjeux politiques<\/strong> dans les r\u00e9cits cin\u00e9matographiques a ainsi permis la r\u00e9alisation de films qui, encore aujourd’hui, sont consid\u00e9r\u00e9s comme des jalons de l’histoire du cin\u00e9ma.<\/p>","protected":false},"excerpt":{"rendered":"

    Comment la censure et la propagande ont-elles fa\u00e7onn\u00e9 le cin\u00e9ma durant l’Occupation en France, stimulant paradoxalement la cr\u00e9ativit\u00e9 ?<\/p>\n","protected":false},"author":3,"featured_media":5457,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[122,117],"tags":[],"class_list":["post-5456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-culture-francaise"],"spectra_custom_meta":{"_wp_page_template":["default"],"rank_math_internal_links_processed":["1"],"rank_math_title":["La production cin\u00e9matographique sous l'Occupation : censure, propagande et cr\u00e9ativit\u00e9 artistique"],"rank_math_description":["Comment la censure et la propagande ont-elles fa\u00e7onn\u00e9 le cin\u00e9ma durant l'Occupation en France, stimulant paradoxalement la cr\u00e9ativit\u00e9 ?"],"rank_math_focus_keyword":[""],"_thumbnail_id":["5457"],"_last_translation_edit_mode":["translation-editor"],"_wpml_word_count":["1198"],"rank_math_primary_category":["63"],"_uagb_toc_options":["a:2:{s:17:\"_uagb_toc_version\";s:10:\"1778168533\";s:18:\"_uagb_toc_headings\";a:4:{i:0;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:63:\"linfluence-de-la-censure-sur-la-cr\u00e9ativit\u00e9-cin\u00e9matographique\";s:7:\"content\";s:64:\"L'influence de la censure sur la cr\u00e9ativit\u00e9 cin\u00e9matographique\";s:5:\"depth\";i:2;}i:1;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:59:\"les-films-de-propagande-outils-de-manipulation-id\u00e9ologique\";s:7:\"content\";s:61:\"Les films de propagande : outils de manipulation id\u00e9ologique\";s:5:\"depth\";i:2;}i:2;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:58:\"le-r\u00f4le-des-studios-et-des-r\u00e9alisateurs-sous-loccupation\";s:7:\"content\";s:59:\"Le r\u00f4le des studios et des r\u00e9alisateurs sous l'Occupation\";s:5:\"depth\";i:2;}i:3;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:57:\"adaptations-et-limitations-\u0153uvres-marquantes-de-l\u00e9poque\";s:7:\"content\";s:60:\"Adaptations et limitations : \u0153uvres marquantes de l'\u00e9poque\";s:5:\"depth\";i:2;}}}"],"_uag_css_file_name":["uag-css-5456.css"],"_uag_js_file_name":["uag-js-5456.js"],"_uag_page_assets":["a:9:{s:3:\"css\";s:18422:\"\ufeff.wp-block-uagb-table-of-contents .uagb-toc__wrap{display:inline-block;max-width:-moz-available;max-width:-webkit-fill-available;max-width:fill-available}.wp-block-uagb-table-of-contents li.uagb-toc__list{padding-top:10px}.wp-block-uagb-table-of-contents ul.uagb-toc__list,.wp-block-uagb-table-of-contents ol.uagb-toc__list{list-style-position:inside;padding-left:0;margin-bottom:0;margin-left:2.2em}.wp-block-uagb-table-of-contents ul.uagb-toc__list li,.wp-block-uagb-table-of-contents ol.uagb-toc__list li{margin:0}.wp-block-uagb-table-of-contents ul li:empty{display:none}.wp-block-uagb-table-of-contents .uagb-toc__title-wrap{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__title{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__is-collapsible.uagb-toc__title-wrap{cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap svg{width:20px;height:20px}.wp-block-uagb-table-of-contents svg{width:20px;height:20px;display:inline-block;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap{display:flex;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents.uagb-toc__collapse .uagb-toc__list-wrap{display:none}.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:2px}ol.uagb-toc__list li.uagb-toc__list ul,ol.uagb-toc__list ul.uagb-toc__list ul{list-style-type:circle}ol.uagb-toc__list>ul,ol.uagb-toc__list>li{list-style-type:disc}.uagb-toc__scroll-top{position:fixed;right:50px;bottom:50px;display:none;padding:10px;background:#ccd0d4;cursor:pointer;font-size:1rem;line-height:1.8571428571}.uagb-toc__scroll-top svg{width:1.6em;height:.6em;margin-left:0;transform:translate(0, -20%) rotate(180deg);fill:currentColor}.uagb-toc__scroll-top.uagb-toc__show-scroll{display:inline-table}body[class*=astra] .uagb-toc__list{line-height:normal}.uagb-toc__list{margin-top:0}.wp-block-uagb-table-of-contents ol.uagb-toc__list li.uagb-toc__list.uagb-toc__list--expandable{list-style-type:none !important}ul.uagb-toc__list--child-of-closed-list{padding-top:0 !important}ul.uagb-toc__list--hidden-child{display:none !important}.list-open::before,.list-collapsed::before{content:\"\u25bc\"\/\"\";transition:transform .3s ease;transform:scale(0.7) translateX(-50%);display:inline-block}.list-collapsed::before{transform:scale(0.7) rotate(-90deg) translate(-84%, 6%)}span.list-open,span.list-collapsed{cursor:pointer;outline:none !important}.uagb-toc__list.transition{transition:max-height 300ms ease-in-out,padding-top 300ms ease-in-out}.uagb-toc__loader{border:2px solid #f3f3f3;border-top:2px solid #0073aa;border-radius:50%;width:20px;height:20px;animation:spin 1.1s linear infinite;display:block;position:absolute;margin-top:5px}.uagb-toc__list-hidden{opacity:0}@keyframes spin{0%{transform:rotate(0deg)}100%{transform:rotate(360deg)}}[dir=rtl] .list-open::before{transform:scale(0.7) translateX(50%)}[dir=rtl] .list-collapsed::before{transform:scale(0.7) rotate(90deg) translate(84%, 6%)}[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:0;padding-right:2px;margin-left:0;margin-right:2.2em}.wp-block-uagb-container{display:flex;position:relative;box-sizing:border-box;transition-property:box-shadow;transition-duration:.2s;transition-timing-function:ease}.wp-block-uagb-container .spectra-container-link-overlay{bottom:0;left:0;position:absolute;right:0;top:0;z-index:10}.wp-block-uagb-container.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:flex;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}.wp-block-uagb-container .wp-block-uagb-blockquote,.wp-block-uagb-container .wp-block-spectra-pro-login,.wp-block-uagb-container .wp-block-spectra-pro-register{margin:unset}.wp-block-uagb-container .uagb-container__video-wrap{height:100%;width:100%;top:0;left:0;position:absolute;overflow:hidden;-webkit-transition:opacity 1s;-o-transition:opacity 1s;transition:opacity 1s}.wp-block-uagb-container .uagb-container__video-wrap video{max-width:100%;width:100%;height:100%;margin:0;line-height:1;border:none;display:inline-block;vertical-align:baseline;-o-object-fit:cover;object-fit:cover;background-size:cover}.wp-block-uagb-container.uagb-layout-grid{display:grid;width:100%}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap{display:inherit;width:inherit}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.alignwide.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:inherit;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-info-box),body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap,body .wp-block-uagb-container>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-container-link-overlay):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-lottie):not(.uagb-faq__outer-wrap){min-width:unset !important;width:100%;position:relative}body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container ol,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap ol{max-width:-webkit-fill-available;margin-block-start:0;margin-block-end:0;margin-left:20px}.ast-plain-container .editor-styles-wrapper .block-editor-block-list__layout.is-root-container .uagb-is-root-container.wp-block-uagb-container.alignwide{margin-left:auto;margin-right:auto}.uagb-container__shape{overflow:hidden;position:absolute;left:0;width:100%;line-height:0;direction:ltr}.uagb-container__shape-top{top:-3px}.uagb-container__shape-bottom{bottom:-3px}.uagb-container__shape.uagb-container__invert.uagb-container__shape-bottom,.uagb-container__shape.uagb-container__invert.uagb-container__shape-top{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg)}.uagb-container__shape.uagb-container__shape-flip svg{transform:translateX(-50%) rotateY(180deg)}.uagb-container__shape svg{display:block;width:-webkit-calc(100% + 1.3px);width:calc(100% + 1.3px);position:relative;left:50%;-webkit-transform:translateX(-50%);-ms-transform:translateX(-50%);transform:translateX(-50%)}.uagb-container__shape .uagb-container__shape-fill{-webkit-transform-origin:center;-ms-transform-origin:center;transform-origin:center;-webkit-transform:rotateY(0deg);transform:rotateY(0deg)}.uagb-container__shape.uagb-container__shape-above-content{z-index:9;pointer-events:none}.nv-single-page-wrap .nv-content-wrap.entry-content .wp-block-uagb-container.alignfull{margin-left:calc(50% - 50vw);margin-right:calc(50% - 50vw)}@media only screen and (max-width: 767px){.wp-block-uagb-container .wp-block-uagb-advanced-heading{width:-webkit-fill-available}}.wp-block-uagb-image--align-none{justify-content:center}.wp-block-uagb-advanced-heading h1,.wp-block-uagb-advanced-heading h2,.wp-block-uagb-advanced-heading h3,.wp-block-uagb-advanced-heading h4,.wp-block-uagb-advanced-heading h5,.wp-block-uagb-advanced-heading h6,.wp-block-uagb-advanced-heading p,.wp-block-uagb-advanced-heading div{word-break:break-word}.wp-block-uagb-advanced-heading .uagb-heading-text{margin:0}.wp-block-uagb-advanced-heading .uagb-desc-text{margin:0}.wp-block-uagb-advanced-heading .uagb-separator{font-size:0;border-top-style:solid;display:inline-block;margin:0 0 10px 0}.wp-block-uagb-advanced-heading .uagb-highlight{color:#f78a0c;border:0;transition:all .3s ease}.uag-highlight-toolbar{border-left:0;border-top:0;border-bottom:0;border-radius:0;border-right-color:#1e1e1e}.uag-highlight-toolbar .components-button{border-radius:0;outline:none}.uag-highlight-toolbar .components-button.is-primary{color:#fff}.uagb-block-592a180d.wp-block-uagb-table-of-contents{text-align: center;}.uagb-block-592a180d .uagb-toc__list-wrap li a{color: var(u002du002dast-global-color-1);}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title-wrap{justify-content: left;}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title{color: var(u002du002dast-global-color-0);justify-content: space-between;cursor: pointer;}.uagb-block-592a180d .uagb-toc__wrap{border-top-width: 1px;border-left-width: 1px;border-right-width: 1px;border-bottom-width: 1px;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: #333;border-style: solid;padding-left: 30px;padding-right: 30px;padding-top: 30px;padding-bottom: 30px;background: rgba(237,237,237,0.65);width: 100%;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__list .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__title{font-family: \"Lato\";font-weight: 600;font-size: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-family: \"Lato\";text-decoration: none;}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-top svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-top .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-bottom svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-bottom .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__video-wrap video{opacity: 1;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{box-shadow: 0px 4px 12px 0px rgba(0,0,0,0.16) ;padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;margin-left: 0px !important;margin-right: 0px !important;overflow: visible;order: initial;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: inherit;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-direction: column;align-items: center;justify-content: center;flex-wrap: nowrap;row-gap: 20px;column-gap: 20px;max-width: 100% !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {margin-bottom: 0%;margin-left: 2%;padding-top: 2px;padding-right: 2px;padding-bottom: 2px;padding-left: 0px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09 .uagb-heading-text{font-family: \"Lato\";font-weight: 700;font-size: 21px;}@media only screen and (max-width: 976px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__title{font-size: 22px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 15px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3px;padding-bottom: 2px;padding-left: 2px;padding-right: 2px;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;max-width: !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {padding-top: 2%;padding-right: 2%;padding-bottom: 2%;padding-left: 0%;}}@media only screen and (max-width: 767px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 0px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-wrap: wrap;max-width: 100% !important;}}.uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media(max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media(max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-family: \"Lato\";font-size: 25px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-family: \"Lato\";font-size: 21px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}\";s:2:\"js\";s:385:\"document.addEventListener(\"DOMContentLoaded\", function(){ window.addEventListener( 'load', function(){\n\tUAGBTableOfContents._run( {\"mappingHeaders\":[false,true,true,true,true,true],\"scrollToTop\":false,\"makeCollapsible\":true,\"enableCollapsableList\":false,\"initialCollapse\":true,\"markerView\":\"decimal\",\"isFrontend\":true,\"initiallyCollapseList\":false}, '.uagb-block-592a180d' );\n} );\n });\";s:18:\"current_block_list\";a:11:{i:0;s:22:\"uagb\/table-of-contents\";i:1;s:14:\"uagb\/container\";i:2;s:21:\"uagb\/advanced-heading\";i:3;s:14:\"core\/shortcode\";i:4;s:11:\"core\/search\";i:5;s:10:\"core\/group\";i:6;s:17:\"core\/latest-posts\";i:8;s:12:\"core\/heading\";i:9;s:20:\"core\/latest-comments\";i:11;s:13:\"core\/archives\";i:12;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:1;s:11:\"uag_version\";s:10:\"1778168533\";s:6:\"gfonts\";a:1:{s:4:\"Lato\";a:2:{s:10:\"fontfamily\";s:4:\"Lato\";s:12:\"fontvariants\";a:2:{i:0;s:3:\"600\";i:1;s:3:\"700\";}}}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda.webp",1080,617,false],"thumbnail":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda-150x150.webp",150,150,true],"medium":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda-300x171.webp",300,171,true],"medium_large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda-768x439.webp",768,439,true],"large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda-1024x585.webp",1024,585,true],"1536x1536":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda.webp",1080,617,false],"2048x2048":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/06\/produccion-cinematografica-francia-ocupada-censura-propaganda.webp",1080,617,false]},"uagb_author_info":{"display_name":"Mica\u00ebl Girondin","author_link":"https:\/\/atlangue.com\/fr\/aut\/micael-girondin\/"},"uagb_comment_info":0,"uagb_excerpt":"Comment la censure et la propagande ont-elles fa\u00e7onn\u00e9 le cin\u00e9ma durant l'Occupation en France, stimulant paradoxalement la cr\u00e9ativit\u00e9 ?","_links":{"self":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/5456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/comments?post=5456"}],"version-history":[{"count":0,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/5456\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media\/5457"}],"wp:attachment":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media?parent=5456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/categories?post=5456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/tags?post=5456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}