{"id":3050,"date":"2024-11-18T02:15:00","date_gmt":"2024-11-18T01:15:00","guid":{"rendered":"https:\/\/atlangue.com\/interpretation-psychanalytique-hiroshima-mon-amour-trauma-memoire\/"},"modified":"2024-11-19T02:15:00","modified_gmt":"2024-11-19T01:15:00","slug":"interpretation-psychanalytique-hiroshima-mon-amour-trauma-memoire","status":"publish","type":"post","link":"https:\/\/atlangue.com\/fr\/interpretation-psychanalytique-hiroshima-mon-amour-trauma-memoire\/","title":{"rendered":"Interpr\u00e9tation psychanalytique de \u00ab Hiroshima mon amour \u00bb : trauma et m\u00e9moire"},"content":{"rendered":"

L’\u0153uvre \u00ab Hiroshima mon amour \u00bb de Marguerite Duras s’inscrit dans une riche analyse psychanalytique<\/strong>, explorant le traumatisme<\/strong> et la m\u00e9moire<\/strong> \u00e0 travers la narration. Elle juxtapose les th\u00e8mes de l’amour<\/strong> et de l’oubli, reliant les exp\u00e9riences personnelles aux bouleversements historiques et \u00e9motionnels. Cette approche met en lumi\u00e8re le r\u00f4le de l’inconscient<\/strong> et de la r\u00e9pression \u00e9motionnelle<\/strong> dans la construction du r\u00e9cit et des identit\u00e9s. <\/p>\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\tIndex\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
  1. Exploration du trauma et de la m\u00e9moire dans l'\u0153uvre<\/a>
  2. Analyse des relations amoureuses et du d\u00e9sir refoul\u00e9<\/a>
  3. L'influence de l'inconscient et du deuil dans le r\u00e9cit<\/a>
  4. R\u00f4le de la r\u00e9pression \u00e9motionnelle dans la narration<\/a>
  5. Comparaison des concepts freudiens et lacaniens<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t

    Exploration du trauma et de la m\u00e9moire dans l’\u0153uvre<\/h2>\n\n

    Le film \u00ab Hiroshima mon amour \u00bb de Marguerite Duras plonge le spectateur dans une reconstitution vivante du traumatisme<\/strong> et de la m\u00e9moire<\/strong>. \u00c0 travers les r\u00e9cits entrelac\u00e9s de ses personnages, on d\u00e9couvre comment l’oubli<\/strong> et le souvenir s’entrem\u00ealent pour former une trame complexe de perceptions et de sentiments non r\u00e9solus. La protagoniste fran\u00e7aise, en partageant ses exp\u00e9riences pass\u00e9es, notamment sa relation avec un soldat allemand pendant la guerre, illustre comment les \u00e9v\u00e9nements tragiques peuvent persister dans l’inconscient, influen\u00e7ant les moments pr\u00e9sents de mani\u00e8re souvent inconsciente.<\/p>\n\n

    L’\u0153uvre utilise des techniques narratives visuelles et verbales pour \u00e9voquer ce ph\u00e9nom\u00e8ne. Par exemple, l’ouverture du film avec des images traumatiques d’Hiroshima mise en contraste avec des dialogues intimes cr\u00e9e un parall\u00e8le puissant entre la m\u00e9moire collective de la ville d\u00e9truite et les souvenirs personnels des protagonistes. Cette juxtaposition r\u00e9v\u00e8le \u00e0 quel point les exp\u00e9riences pass\u00e9es, qu’elles soient de port\u00e9e mondiale ou individuelle, affectent la psych\u00e9 et conditionnent les \u00e9motions et comportements actuels.<\/p>\n\n

    En mettant en sc\u00e8ne cette fusion \u00e9motionnelle entre histoire personnelle et m\u00e9moire collective, Duras nous offre un portrait nuanc\u00e9 des m\u00e9canismes de la m\u00e9moire<\/strong>. Elle questionne non seulement la fa\u00e7on dont nous reconstruisons notre pass\u00e9, mais aussi le poids du souvenir dans la construction de notre identit\u00e9<\/strong>. Ce processus introspectif, souvent douloureux, est central pour comprendre les dynamiques qui agitent les personnages tout au long du film. Ainsi, \u00e0 travers une introspection<\/strong> profonde, \u00ab Hiroshima mon amour \u00bb illustre comment l’analyse freudienne permet de d\u00e9construire le mur entre souvenir et oubli, \u00e9clairant les zones d’ombre de l’esprit humain.<\/p>

    Analyse des relations amoureuses et du d\u00e9sir refoul\u00e9<\/h2>\n\n

    Dans \u00ab Hiroshima mon amour \u00bb, Marguerite Duras tisse une toile complexe autour des relations amoureuses<\/strong> et du d\u00e9sir refoul\u00e9<\/strong>, des \u00e9l\u00e9ments centraux \u00e0 l\u2019intrigue et au d\u00e9veloppement des personnages. La protagoniste fran\u00e7aise et son amant japonais se retrouvent dans une danse \u00e9motionnelle, marqu\u00e9e par un fort sentiment d’auto-d\u00e9couverte mais aussi d’indicible culpabilit\u00e9<\/strong>. Leur histoire d’amour, souvent silencieuse, est un terrain fertile o\u00f9 se manifestent les traces d’exp\u00e9riences pass\u00e9es douloureuses et d’aspirations non r\u00e9solues, r\u00e9v\u00e9lant ainsi des aspects enfouis de leur inconscient<\/strong>.<\/p>\n\n

    Ces sentiments refoul\u00e9s sont sugg\u00e9r\u00e9s \u00e0 travers des dialogues entrecoup\u00e9s de silences lourds de sens, symbolisant le combat entre le d\u00e9sir refoul\u00e9<\/strong> et la r\u00e9pression sociale et culturelle. Lorsqu’ils partagent leurs histoires, ces deux \u00eatres r\u00e9v\u00e8lent timidement leurs angoisses int\u00e9rieures, fa\u00e7onn\u00e9es par leur pass\u00e9 respectif de guerre et paix<\/strong>. Cette exploration des relations amoureuses est renforc\u00e9e par les flashbacks de la femme, \u00e9voquant sa passion interdite avec un soldat ennemi, une exp\u00e9rience qui continue \u00e0 influencer ses relations pr\u00e9sentes.<\/p>\n\n

    Les moments de s\u00e9duction<\/strong> entre les protagonistes ne sont pas simplement des jeux de passion, mais aussi des invitations \u00e0 la d\u00e9couverte de soi et de l’autre. \u00c0 travers ces interactions, Duras nous pousse \u00e0 nous interroger sur la capacit\u00e9 humaine \u00e0 transcender le pass\u00e9, en utilisant l’Analyse freudienne<\/strong> des d\u00e9sirs non r\u00e9alis\u00e9s comme un miroir des conflits et des r\u00e9conciliations internes des personnages. Cette repr\u00e9sentation complexe de l’amour illustre comment les m\u00e9canismes psychologiques de r\u00e9pression influencent les choix romantiques, rendant le r\u00e9cit encore plus captivant et intense.<\/p>\n

    \n

    \"Atlangue\u00a0\u00a0Vous pouvez \u00e9galement \u00eatre int\u00e9ress\u00e9 par la consultation :<\/p><\/div>\n\n\n\n<\/div>\n

    L’influence de l’inconscient et du deuil dans le r\u00e9cit<\/h2>\n\n

    Dans \u00ab Hiroshima mon amour \u00bb, Marguerite Duras utilise l’inconscient comme une lentille \u00e0 travers laquelle ses personnages traitent du deuil<\/strong> et de la perte. Les fant\u00f4mes du pass\u00e9 hantent la narration, se manifestant \u00e0 travers d’\u00e9nigmatiques fragments de souvenirs. Le personnage f\u00e9minin, en particulier, lutte contre un traumatisme<\/strong> enfoui li\u00e9 \u00e0 sa jeunesse en France pendant la Seconde Guerre mondiale, o\u00f9 son premier amour tragique n’a jamais \u00e9t\u00e9 pleinement pleur\u00e9.<\/p>\n\n

    Cette dynamique de deuil incompl\u00e8tement r\u00e9solu est essentielle pour comprendre la profondeur de l’inconscient dans l’\u0153uvre. Les dialogues r\u00e9p\u00e9titifs et les silences poignants pr\u00e9sents dans le film r\u00e9v\u00e8lent une r\u00e9conciliation<\/strong> partielle mais n\u00e9cessaire avec le pass\u00e9. Le personnage f\u00e9minin, en racontant ses souvenirs personnels \u00e0 son amant japonais, confronte ses propres angoisses et cicatrices invisibles, d\u00e9clenchant chez elle une introspection profonde.<\/p>\n\n

    Ce traitement du deuil et de l’inconscient est illustr\u00e9 par la r\u00e9currence de sc\u00e8nes o\u00f9 les protagonistes revivent simultan\u00e9ment leur propre douleur int\u00e9rieure ainsi que celle de Hiroshima<\/strong>. Ces s\u00e9quences imposent non seulement une r\u00e9flexion sur le pass\u00e9 non r\u00e9solu des personnages, mais questionnent aussi la mani\u00e8re dont ces souvenirs refoul\u00e9s influencent leur capacit\u00e9 \u00e0 former des liens authentiques. En ce sens, Duras capte avec finesse comment la compr\u00e9hension de soi et la r\u00e9conciliation<\/strong> avec les blessures psychiques m\u00e8nent \u00e0 une transformation int\u00e9rieure et provoquent un profond changement narratif.<\/p>

    R\u00f4le de la r\u00e9pression \u00e9motionnelle dans la narration<\/h2>\n\n

    Dans \u00ab Hiroshima mon amour \u00bb, Marguerite Duras examine avec acuit\u00e9 le r\u00f4le de la r\u00e9pression \u00e9motionnelle<\/strong> dans le d\u00e9veloppement de son histoire. Les personnages principaux, bien qu’intens\u00e9ment li\u00e9s, sont incapables de pleinement exprimer leurs sentiments profonds, un choix narratif qui ajoute une couche de complexit\u00e9 psychologique au r\u00e9cit. Cette r\u00e9pression sert \u00e0 illustrer la culpabilit\u00e9<\/strong> collective et individuelle r\u00e9sultant des \u00e9v\u00e9nements historiques v\u00e9cus par les protagonistes. Leur incapacit\u00e9 \u00e0 communiquer librement leurs \u00e9motions devient un miroir des tensions internes qu’ils ressentent face \u00e0 leurs propres exp\u00e9riences de guerre et paix<\/strong>.<\/p>\n\n

    Tout au long du film, la r\u00e9pression \u00e9motionnelle<\/strong> se manifeste par des silences lourds et des dialogues fragment\u00e9s, qui traduisent une lutte continue entre le d\u00e9sir de r\u00e9conciliation<\/strong> et l’impossibilit\u00e9 d’oubli. Cet \u00e9tat \u00e9motionnel int\u00e9rioris\u00e9 est un \u00e9l\u00e9ment essentiel du style narratif de Duras, car il engage le spectateur \u00e0 travers une forme de narration<\/strong> suggestive, presque impressionniste. Par exemple, les interactions entre les protagonistes sont souvent marqu\u00e9es par un \u00e9change de regards et des gestes retenus, porteurs de significations bien plus profondes que les mots eux-m\u00eames.<\/p>\n\n

    En mettant en sc\u00e8ne ces m\u00e9canismes de r\u00e9pression, Duras exploite la po\u00e9tique de l’inexprim\u00e9 pour faire \u00e9merger la richesse \u00e9motionnelle de son r\u00e9cit. La r\u00e9pression \u00e9motionnelle n’est pas simplement un obstacle pour les personnages, mais devient un langage visuel et verbal \u00e0 travers lequel le film communique les complexit\u00e9s du fantasme<\/strong> et du refoulement. Cette approche rend les moments de d\u00e9voilement \u00e9motionnel, bien que rares, extraordinairement puissants, permettant ainsi aux spectateurs de ressentir l’intensit\u00e9 bouillonnante sous la surface apais\u00e9e de l’\u0153uvre.<\/p>

    Comparaison des concepts freudiens et lacaniens<\/h2>\n\n

    Dans l’\u0153uvre \u00ab Hiroshima mon amour \u00bb de Marguerite Duras, les concepts freudiens et lacaniens offrent une grille de lecture enrichissante pour comprendre les motivations profondes des personnages. La mise en sc\u00e8ne du d\u00e9sir refoul\u00e9<\/strong>, ch\u00e8re \u00e0 l’analyse freudienne, est clairement visible dans la mani\u00e8re dont les protagonistes s’engagent dans leurs relations, t\u00e9moignant d’une lutte int\u00e9rieure contre des pulsions non avou\u00e9es. Freud postulait que ces d\u00e9sirs non exprim\u00e9s influencent le comportement par le biais de m\u00e9canismes inconscients comme le refoulement et la sublimation. Cette approche est illustr\u00e9e par la difficult\u00e9 des personnages \u00e0 communiquer leurs v\u00e9ritables sentiments, rappelant l’id\u00e9e freudienne de l’inconscient comme force motrice sous-jacente \u00e0 nos actions.<\/p>\n\n

    En revanche, Lacan, avec sa perspective unique, accentue le concept du fantasme<\/strong> et de la structure du langage, proposant que le d\u00e9sir humain est fa\u00e7onn\u00e9 par la nature symbolique du langage. Dans le film, cette id\u00e9e est palpable \u00e0 travers les dialogues et les monologues int\u00e9rieurs des personnages, o\u00f9 les mots \u00e9chang\u00e9s trahissent souvent un monde int\u00e9rieur riche et complexe. Lacan voit dans la narration<\/strong> une manifestation du r\u00e9el, du symbolique et de l’imaginaire, un triptyque qui se retrouve dans les interactions entre les personnages. Leur qu\u00eate d’identit\u00e9 et leur incapacit\u00e9 \u00e0 articuler pleinement leur amour<\/strong> refl\u00e8tent bien cette trinit\u00e9 et l’id\u00e9e lacanienne de la fixation sur l’Autre.<\/p>\n\n

      \n
    • Freud<\/strong> : exploration de l’inconscient, refoulement, pulsions cach\u00e9es.<\/li>\n
    • Lacan<\/strong> : structure du d\u00e9sir \u00e0 travers le langage, fantasme, relations symboliques.<\/li>\n<\/ul>\n\n

      Les deux th\u00e9ories coexistent de mani\u00e8re compl\u00e9mentaire dans l’\u0153uvre de Duras, enrichissant la compr\u00e9hension des complexit\u00e9s \u00e9motionnelles et psychiques des personnages. Tandis que Freud nous guide \u00e0 travers les profondeurs de l’esprit cach\u00e9, Lacan nous pousse \u00e0 consid\u00e9rer le r\u00f4le du langage comme le v\u00e9hicule de notre qu\u00eate existentielle. Ces perspectives offrent ainsi une profondeur suppl\u00e9mentaire \u00e0 \u00ab Hiroshima mon amour \u00bb, en permettant une introspection sur les dynamiques humaines universelles.<\/p>","protected":false},"excerpt":{"rendered":"

      Comment le d\u00e9sir refoul\u00e9 et l’inconscient influencent-ils la m\u00e9moire et le trauma dans \u00ab Hiroshima mon amour \u00bb de Marguerite Duras ?<\/p>\n","protected":false},"author":3,"featured_media":3051,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[145,117,118],"tags":[215],"class_list":["post-3050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvres","category-culture-francaise","category-litterature","tag-marguerite-duras-2"],"spectra_custom_meta":{"_wp_page_template":["default"],"rank_math_internal_links_processed":["1"],"rank_math_title":["Interpr\u00e9tation psychanalytique de \u00ab Hiroshima mon amour \u00bb : trauma et m\u00e9moire"],"rank_math_description":["Comment le d\u00e9sir refoul\u00e9 et l'inconscient influencent-ils la m\u00e9moire et le trauma dans \u00ab Hiroshima mon amour \u00bb de Marguerite Duras ?"],"rank_math_focus_keyword":[""],"_thumbnail_id":["3051"],"_last_translation_edit_mode":["translation-editor"],"_wpml_word_count":["1763"],"rank_math_primary_category":["77"],"_uagb_toc_options":["a:2:{s:17:\"_uagb_toc_version\";s:10:\"1778168533\";s:18:\"_uagb_toc_headings\";a:5:{i:0;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:52:\"exploration-du-trauma-et-de-la-m\u00e9moire-dans-l\u0153uvre\";s:7:\"content\";s:53:\"Exploration du trauma et de la m\u00e9moire dans l'\u0153uvre\";s:5:\"depth\";i:2;}i:1;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:54:\"analyse-des-relations-amoureuses-et-du-d\u00e9sir-refoul\u00e9\";s:7:\"content\";s:54:\"Analyse des relations amoureuses et du d\u00e9sir refoul\u00e9\";s:5:\"depth\";i:2;}i:2;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:53:\"linfluence-de-linconscient-et-du-deuil-dans-le-r\u00e9cit\";s:7:\"content\";s:55:\"L'influence de l'inconscient et du deuil dans le r\u00e9cit\";s:5:\"depth\";i:2;}i:3;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:55:\"r\u00f4le-de-la-r\u00e9pression-\u00e9motionnelle-dans-la-narration\";s:7:\"content\";s:55:\"R\u00f4le de la r\u00e9pression \u00e9motionnelle dans la narration\";s:5:\"depth\";i:2;}i:4;a:4:{s:5:\"level\";i:2;s:2:\"id\";s:47:\"comparaison-des-concepts-freudiens-et-lacaniens\";s:7:\"content\";s:47:\"Comparaison des concepts freudiens et lacaniens\";s:5:\"depth\";i:2;}}}"],"_uag_css_file_name":["uag-css-3050.css"],"_uag_js_file_name":["uag-js-3050.js"],"_uag_page_assets":["a:9:{s:3:\"css\";s:18422:\"\ufeff.wp-block-uagb-table-of-contents .uagb-toc__wrap{display:inline-block;max-width:-moz-available;max-width:-webkit-fill-available;max-width:fill-available}.wp-block-uagb-table-of-contents li.uagb-toc__list{padding-top:10px}.wp-block-uagb-table-of-contents ul.uagb-toc__list,.wp-block-uagb-table-of-contents ol.uagb-toc__list{list-style-position:inside;padding-left:0;margin-bottom:0;margin-left:2.2em}.wp-block-uagb-table-of-contents ul.uagb-toc__list li,.wp-block-uagb-table-of-contents ol.uagb-toc__list li{margin:0}.wp-block-uagb-table-of-contents ul li:empty{display:none}.wp-block-uagb-table-of-contents .uagb-toc__title-wrap{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__title{display:flex;align-items:center}.wp-block-uagb-table-of-contents .uagb-toc__is-collapsible.uagb-toc__title-wrap{cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap svg{width:20px;height:20px}.wp-block-uagb-table-of-contents svg{width:20px;height:20px;display:inline-block;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents .uag-toc__collapsible-wrap{display:flex;margin-left:10px;cursor:pointer}.wp-block-uagb-table-of-contents.uagb-toc__collapse .uagb-toc__list-wrap{display:none}.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,.wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:2px}ol.uagb-toc__list li.uagb-toc__list ul,ol.uagb-toc__list ul.uagb-toc__list ul{list-style-type:circle}ol.uagb-toc__list>ul,ol.uagb-toc__list>li{list-style-type:disc}.uagb-toc__scroll-top{position:fixed;right:50px;bottom:50px;display:none;padding:10px;background:#ccd0d4;cursor:pointer;font-size:1rem;line-height:1.8571428571}.uagb-toc__scroll-top svg{width:1.6em;height:.6em;margin-left:0;transform:translate(0, -20%) rotate(180deg);fill:currentColor}.uagb-toc__scroll-top.uagb-toc__show-scroll{display:inline-table}body[class*=astra] .uagb-toc__list{line-height:normal}.uagb-toc__list{margin-top:0}.wp-block-uagb-table-of-contents ol.uagb-toc__list li.uagb-toc__list.uagb-toc__list--expandable{list-style-type:none !important}ul.uagb-toc__list--child-of-closed-list{padding-top:0 !important}ul.uagb-toc__list--hidden-child{display:none !important}.list-open::before,.list-collapsed::before{content:\"\u25bc\"\/\"\";transition:transform .3s ease;transform:scale(0.7) translateX(-50%);display:inline-block}.list-collapsed::before{transform:scale(0.7) rotate(-90deg) translate(-84%, 6%)}span.list-open,span.list-collapsed{cursor:pointer;outline:none !important}.uagb-toc__list.transition{transition:max-height 300ms ease-in-out,padding-top 300ms ease-in-out}.uagb-toc__loader{border:2px solid #f3f3f3;border-top:2px solid #0073aa;border-radius:50%;width:20px;height:20px;animation:spin 1.1s linear infinite;display:block;position:absolute;margin-top:5px}.uagb-toc__list-hidden{opacity:0}@keyframes spin{0%{transform:rotate(0deg)}100%{transform:rotate(360deg)}}[dir=rtl] .list-open::before{transform:scale(0.7) translateX(50%)}[dir=rtl] .list-collapsed::before{transform:scale(0.7) rotate(90deg) translate(84%, 6%)}[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ul.uagb-toc__list,[dir=rtl] .wp-block-uagb-table-of-contents.uagb-toc__collapse--list ol.uagb-toc__list{padding-left:0;padding-right:2px;margin-left:0;margin-right:2.2em}.wp-block-uagb-container{display:flex;position:relative;box-sizing:border-box;transition-property:box-shadow;transition-duration:.2s;transition-timing-function:ease}.wp-block-uagb-container .spectra-container-link-overlay{bottom:0;left:0;position:absolute;right:0;top:0;z-index:10}.wp-block-uagb-container.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:flex;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}.wp-block-uagb-container .wp-block-uagb-blockquote,.wp-block-uagb-container .wp-block-spectra-pro-login,.wp-block-uagb-container .wp-block-spectra-pro-register{margin:unset}.wp-block-uagb-container .uagb-container__video-wrap{height:100%;width:100%;top:0;left:0;position:absolute;overflow:hidden;-webkit-transition:opacity 1s;-o-transition:opacity 1s;transition:opacity 1s}.wp-block-uagb-container .uagb-container__video-wrap video{max-width:100%;width:100%;height:100%;margin:0;line-height:1;border:none;display:inline-block;vertical-align:baseline;-o-object-fit:cover;object-fit:cover;background-size:cover}.wp-block-uagb-container.uagb-layout-grid{display:grid;width:100%}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap{display:inherit;width:inherit}.wp-block-uagb-container.uagb-layout-grid>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.uagb-is-root-container>.wp-block-uagb-container{max-width:unset !important;width:unset !important}.wp-block-uagb-container.uagb-layout-grid.alignwide.uagb-is-root-container{margin-left:auto;margin-right:auto}.wp-block-uagb-container.uagb-layout-grid.alignfull.uagb-is-root-container .uagb-container-inner-blocks-wrap{display:inherit;position:relative;box-sizing:border-box;margin-left:auto !important;margin-right:auto !important}body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-info-box),body .wp-block-uagb-container>.uagb-container-inner-blocks-wrap,body .wp-block-uagb-container>*:not(.wp-block-uagb-container):not(.wp-block-uagb-column):not(.wp-block-uagb-container):not(.wp-block-uagb-section):not(.uagb-container__shape):not(.uagb-container__video-wrap):not(.wp-block-spectra-pro-register):not(.wp-block-spectra-pro-login):not(.uagb-slider-container):not(.spectra-container-link-overlay):not(.spectra-image-gallery__control-lightbox):not(.wp-block-uagb-lottie):not(.uagb-faq__outer-wrap){min-width:unset !important;width:100%;position:relative}body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>.wp-block-uagb-container ol,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap>ul,body .ast-container .wp-block-uagb-container>.uagb-container-inner-blocks-wrap ol{max-width:-webkit-fill-available;margin-block-start:0;margin-block-end:0;margin-left:20px}.ast-plain-container .editor-styles-wrapper .block-editor-block-list__layout.is-root-container .uagb-is-root-container.wp-block-uagb-container.alignwide{margin-left:auto;margin-right:auto}.uagb-container__shape{overflow:hidden;position:absolute;left:0;width:100%;line-height:0;direction:ltr}.uagb-container__shape-top{top:-3px}.uagb-container__shape-bottom{bottom:-3px}.uagb-container__shape.uagb-container__invert.uagb-container__shape-bottom,.uagb-container__shape.uagb-container__invert.uagb-container__shape-top{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg)}.uagb-container__shape.uagb-container__shape-flip svg{transform:translateX(-50%) rotateY(180deg)}.uagb-container__shape svg{display:block;width:-webkit-calc(100% + 1.3px);width:calc(100% + 1.3px);position:relative;left:50%;-webkit-transform:translateX(-50%);-ms-transform:translateX(-50%);transform:translateX(-50%)}.uagb-container__shape .uagb-container__shape-fill{-webkit-transform-origin:center;-ms-transform-origin:center;transform-origin:center;-webkit-transform:rotateY(0deg);transform:rotateY(0deg)}.uagb-container__shape.uagb-container__shape-above-content{z-index:9;pointer-events:none}.nv-single-page-wrap .nv-content-wrap.entry-content .wp-block-uagb-container.alignfull{margin-left:calc(50% - 50vw);margin-right:calc(50% - 50vw)}@media only screen and (max-width: 767px){.wp-block-uagb-container .wp-block-uagb-advanced-heading{width:-webkit-fill-available}}.wp-block-uagb-image--align-none{justify-content:center}.wp-block-uagb-advanced-heading h1,.wp-block-uagb-advanced-heading h2,.wp-block-uagb-advanced-heading h3,.wp-block-uagb-advanced-heading h4,.wp-block-uagb-advanced-heading h5,.wp-block-uagb-advanced-heading h6,.wp-block-uagb-advanced-heading p,.wp-block-uagb-advanced-heading div{word-break:break-word}.wp-block-uagb-advanced-heading .uagb-heading-text{margin:0}.wp-block-uagb-advanced-heading .uagb-desc-text{margin:0}.wp-block-uagb-advanced-heading .uagb-separator{font-size:0;border-top-style:solid;display:inline-block;margin:0 0 10px 0}.wp-block-uagb-advanced-heading .uagb-highlight{color:#f78a0c;border:0;transition:all .3s ease}.uag-highlight-toolbar{border-left:0;border-top:0;border-bottom:0;border-radius:0;border-right-color:#1e1e1e}.uag-highlight-toolbar .components-button{border-radius:0;outline:none}.uag-highlight-toolbar .components-button.is-primary{color:#fff}.uagb-block-592a180d.wp-block-uagb-table-of-contents{text-align: center;}.uagb-block-592a180d .uagb-toc__list-wrap li a{color: var(u002du002dast-global-color-1);}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title-wrap{justify-content: left;}.uagb-block-592a180d .uagb-toc__wrap .uagb-toc__title{color: var(u002du002dast-global-color-0);justify-content: space-between;cursor: pointer;}.uagb-block-592a180d .uagb-toc__wrap{border-top-width: 1px;border-left-width: 1px;border-right-width: 1px;border-bottom-width: 1px;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: #333;border-style: solid;padding-left: 30px;padding-right: 30px;padding-top: 30px;padding-bottom: 30px;background: rgba(237,237,237,0.65);width: 100%;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__list .uagb-toc__list{list-style-type: none !important;}.uagb-block-592a180d .uagb-toc__title{font-family: \"Lato\";font-weight: 600;font-size: 30px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-family: \"Lato\";text-decoration: none;}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-top svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-top .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape-bottom svg{width: calc( 100% + 1.3px );}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__shape.uagb-container__shape-bottom .uagb-container__shape-fill{fill: rgba(51,51,51,1);}.wp-block-uagb-container.uagb-block-2dc29879 .uagb-container__video-wrap video{opacity: 1;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{box-shadow: 0px 4px 12px 0px rgba(0,0,0,0.16) ;padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;margin-left: 0px !important;margin-right: 0px !important;overflow: visible;order: initial;border-top-left-radius: 6px;border-top-right-radius: 6px;border-bottom-left-radius: 6px;border-bottom-right-radius: 6px;border-color: inherit;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-direction: column;align-items: center;justify-content: center;flex-wrap: nowrap;row-gap: 20px;column-gap: 20px;max-width: 100% !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {margin-bottom: 0%;margin-left: 2%;padding-top: 2px;padding-right: 2px;padding-bottom: 2px;padding-left: 0px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09 .uagb-heading-text{font-family: \"Lato\";font-weight: 700;font-size: 21px;}@media only screen and (max-width: 976px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__title{font-size: 22px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 15px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3px;padding-bottom: 2px;padding-left: 2px;padding-right: 2px;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;max-width: !important;}.wp-block-uagb-advanced-heading.uagb-block-83cc9a09.wp-block-uagb-advanced-heading {padding-top: 2%;padding-right: 2%;padding-bottom: 2%;padding-left: 0%;}}@media only screen and (max-width: 767px) {.uagb-block-592a180d .uagb-toc__list-wrap ul li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__list-wrap ol li{font-size: 18px;}.uagb-block-592a180d .uagb-toc__wrap{border-style: solid;}.uagb-block-592a180d .uagb-toc__list-wrap ol.uagb-toc__list:first-child{margin-left: 0px;}.uagb-block-592a180d .uagb-toc__list-wrap{column-count: 1;overflow: hidden;text-align: left;}.uagb-block-592a180d .uagb-toc__list-wrap > ul.uagb-toc__list > li:first-child{padding-top: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ul.uagb-toc__list:last-child > li:last-child{padding-bottom: 0;}.uagb-block-592a180d .uagb-toc__list-wrap ol li a{font-size: 18px;}.wp-block-uagb-container.uagb-is-root-container .uagb-block-2dc29879{max-width: 100%;width: 100%;}.wp-block-uagb-container.uagb-block-2dc29879{padding-top: 3%;padding-bottom: 2%;padding-left: 2%;padding-right: 2%;margin-top: 50px !important;margin-bottom: 30px !important;order: initial;background: linear-gradient(180deg,rgba(67,51,97,0.03) 0%,rgba(67,51,97,0.17) 100%);;background-clip: padding-box;flex-wrap: wrap;max-width: 100% !important;}}.uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media(max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media(max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-family: \"Lato\";font-size: 25px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-aad02747 .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading {margin-bottom: 20px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-desc-text{margin-bottom: 15px;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight{font-style: normal;font-weight: Default;background: #007cba;color: #fff;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::-moz-selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e.wp-block-uagb-advanced-heading .uagb-highlight::selection{color: #fff;background: #007cba;-webkit-text-fill-color: #fff;}.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-family: \"Lato\";font-size: 21px;line-height: 1.1em;}@media only screen and (max-width: 976px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 27px;line-height: 1.2em;}}@media only screen and (max-width: 767px) {.wp-block-uagb-advanced-heading.uagb-block-914edb3e .uagb-heading-text{font-size: 25px;line-height: 1.2em;}}\";s:2:\"js\";s:385:\"document.addEventListener(\"DOMContentLoaded\", function(){ window.addEventListener( 'load', function(){\n\tUAGBTableOfContents._run( {\"mappingHeaders\":[false,true,true,true,true,true],\"scrollToTop\":false,\"makeCollapsible\":true,\"enableCollapsableList\":false,\"initialCollapse\":true,\"markerView\":\"decimal\",\"isFrontend\":true,\"initiallyCollapseList\":false}, '.uagb-block-592a180d' );\n} );\n });\";s:18:\"current_block_list\";a:11:{i:0;s:22:\"uagb\/table-of-contents\";i:1;s:14:\"uagb\/container\";i:2;s:21:\"uagb\/advanced-heading\";i:3;s:14:\"core\/shortcode\";i:4;s:11:\"core\/search\";i:5;s:10:\"core\/group\";i:6;s:17:\"core\/latest-posts\";i:8;s:12:\"core\/heading\";i:9;s:20:\"core\/latest-comments\";i:11;s:13:\"core\/archives\";i:12;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:1;s:11:\"uag_version\";s:10:\"1778168533\";s:6:\"gfonts\";a:1:{s:4:\"Lato\";a:2:{s:10:\"fontfamily\";s:4:\"Lato\";s:12:\"fontvariants\";a:2:{i:0;s:3:\"600\";i:1;s:3:\"700\";}}}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras.webp",1080,617,false],"thumbnail":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras-150x150.webp",150,150,true],"medium":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras-300x171.webp",300,171,true],"medium_large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras-768x439.webp",768,439,true],"large":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras-1024x585.webp",1024,585,true],"1536x1536":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras.webp",1080,617,false],"2048x2048":["https:\/\/atlangue.com\/wp-content\/uploads\/2025\/05\/interpretacion-psicoanalitica-hiroshima-mon-amour-marguerite-duras.webp",1080,617,false]},"uagb_author_info":{"display_name":"Mica\u00ebl Girondin","author_link":"https:\/\/atlangue.com\/fr\/aut\/micael-girondin\/"},"uagb_comment_info":0,"uagb_excerpt":"Comment le d\u00e9sir refoul\u00e9 et l'inconscient influencent-ils la m\u00e9moire et le trauma dans \u00ab Hiroshima mon amour \u00bb de Marguerite Duras ?","_links":{"self":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/3050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/comments?post=3050"}],"version-history":[{"count":0,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/posts\/3050\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media\/3051"}],"wp:attachment":[{"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/media?parent=3050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/categories?post=3050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atlangue.com\/fr\/wp-json\/wp\/v2\/tags?post=3050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}